The Canyon :Link.
Friday, March 11, 2005
Using this occasion for a few reality checks:
1--Thank you all for your support --Gelatometti has really come to be a part of our days here at the studio. That said, unfortunately, I cannot give individual critiques of work through email. I get too many of these and there simply isn't enough time in the day to do them all justice. I am late enough on the work I have on my plate and while this blog is a lot of fun to be a part of, I have limited my time on it to about an hour a day. But don't stop drawing simply cause I can't take a peek! Cream always finds its level and once your work starts kicking into gear, it's simply a matter of time before you get your first assignment.
My advice is to join the Gelatocafe--RicH is spearheading that and posts there as well and it's turned out to be a great support network for aspiring artists.
2--I am a n00bie when it comes to counting traffic, especially in regard to RSS and atom-enabled feeds. I assume if someone is reading the site through such a feed, we don't get credit for the 'hit' or do we? If not, for all you lurkers checking the blog via feed--hit this link (http://gelatometti.blogspot.com) back to our site just for today (Friday) --so my puny sitemeter can get a sense of how many of you are out there. Again, we love doing the blog and it has been steadily growing in popularity but there will come a day when we have to take a hard look at the energy spent vs the the number of people we are reaching.
3--Fantasy Gelatometti Publisher--the online rotisserie game where you can pick creators to create a fantasy publishing company and compete against other braggarts is about to start. Well, at least the Beta...will keep posted about its progress but it may go live this summer. Chuck H. from KC has done a phenomenal job at coding it and creating all the databases...so this has truly been a labor of love.
4--More video is on the way, once some major deadlines are out of the way. It's a matter of editing what we have and that takes time, especially on the time budget we have imposed on ourselves.
5--My GelatoIronChef competition is in the works...just waiting to arrange a time.
6--Oh and here is a closer look at the Wolverine sketch I did to raise Euros for the Tsunami victims at the store signing I did at Reggio Comics (link here).
EDITED: Comments were not working...now they should be.
Oh, and one more final thing--while Frank Miller and I will be working together on Batman and Robin, the Boy Wonder, I am not in his employ as a a secretary so please don't ask me to contact him on your behalf--thank you. This has been a public service announcement = D
Thursday, March 10, 2005
Wednesday, March 9, 2005
Back to comics...DC officially released the final covers to the last issue of For Tomorrow today. Slated to come out mid-April, there are two covers and 8 additional interior pages. The image above are the two covers placed side by side. Draw a line vertically down the middle of the image and you can see where one cover ends and the other begins. This was a complicated piece to pull off, more so because I was relying on Alex Sinclair to do a lot of the separation of the elements all in color and photoshop.
The inspiration for this diptych was actually all the great George Perez covers of yore where he had layers of big figures superimposed on a sea of smaller figures all of which were laid out on multiple layers. I took that approach because like the last Hush #12 covers, I wanted to have the final covers of For Tomorrow reflect all the different elements of the story thus far--a reflection of the entire arc, and George was simply one of the best at doing that kind of imagery. Sometimes it's good to think out of the box and approach a cover or an assignment with a different mindset.
After I did the piece, Alex and I spoke and I gave him a handful of notes via email but this piece is presented in all his glory. I think it's the best Superman, perhaps the best DC cover of mine that he has colored. Think of all the different elements and how they are separated by color, value and hue and how translucence and opacity help organize the composition. In the end, I wanted to create a cover which could be viewed as separate covers (left and right) but also form together to make a bigger (duh) more impactful statement. Alex deserves to take a bow on this one, folks.
Here is a slightly bigger shot of it. Now for those of you who hate multiple covers, I have my thoughts on that but will save them perhaps for the day this book actually ships. It's a whole 'nother can o' beans. For now, check out the boo--tee--full colors by Color Masta Sinc.'